[Another way to view them: begin with all the horizontals followed by all the verticals].
These small prints consist of three stills I selected from each take of the film. There are two sets, horizontal and vertical, and each three are the same as the images used in G2 and G3. They are almost always arranged in the order in which these images appear in the film. Comparing the stills to the film will place the viewer in an I hope wondrous in-between space between stillness and movement, stills suggesting movements and movements containing stills. Scrolling through all the Takes of either type should give you an alternative version of the film, but I think they are at their strongest as separate prints, suggesting much more than they show.
